Wynwood Art Walk – REDUX
10.15.11, 9pm
Cafeina Wynwood Lounge
297 NW 23rd Street
Miami
www.cafeinamiami.com

RAIN CHECK! It’s a REDUX of Wynwood Art Walk!

Neon Forest presents an Into the Void – an Art Exhibit – with Video Installation by Brinson Renda & Rocky Grimes.

Music by Troy Kurtz with $5 Tequila shots all night long and 2 bottles for $275!!

University Of Miami Wynwood Project Space Presents The 4th Annual Cane Fair Opening Receptions
Saturday, December 3, 6pm to 10pm
December 10, 2pm to 9pm
Wynwood Project Space
2200-A NW 2nd Avenue.

In honor of Art Basel Miami Beach, the College of Arts and Sciences Art and Art History Department presents the 4th Cane Fair featuring artwork of UM students earning their Masters in Fine Arts. Works on display include photography, sculpture, prints, installation, ceramics, painting and more. This exhibition will run from November 29, 2011 to January 27, 2012.

Artists featured in this exhibition include Jacqueline Gopie (Painting), Sean Black (Photography), Abraham Camayd (Printmaking), Michelle Roy (Graphic Design), Cynthia Fleischmann (photography), Leah Brown (Sculpture) and many, many more.

The MFA program is a 60 credit, three-year program resulting in a terminal degree that both prepares students to enter the professional, studio art world and qualifies them for college teaching. Entrance in to the program is highly competitive with applicants coming from across the country and internationally as well.

The Cane Fair will be held at the Wynwood Project Space in conjunction with Art Basel Miami Beach 2011.

Attached image tagline: Sean Black Charna, 2011 Photo

“Four Species” Exhibition Opening
October 18, 2011, 7 pm – 9 pm
Maor Gallery
3030 NE 2nd Ave.
Miami, FL 33137
www.maormiami.org

‘Four Species’ is a contemporary group show curated by Jon Feinstein (co-founder and Curatorial Director of the Humble Arts Foundation, NY) and Shana Beth Mason (Miami-based art consultant and critic) that will incorporate new works from four emerging artists in reference to Sukkot. Free and open to the public. The exhibition will feature two sculptural works, a live performance and a wall of the sukkah creatively re-imagined.

Beverages and free onsite parking available to attendees!

More about the exhibition: Four Species refers to the four varieties of fauna synonymous with the human spine (the palm branch ‘Lulav’), eye (myrtle, ‘Hadass’), mouth (willow, ‘Aravah’) and heart (citron fruit ‘Etrog’), held together to symbolize the unity of body, spirit, scripture and memory. The continuous cycles of life and death, the nature of impermanence and migration, and how the practice of making art as an intellectual and contemplative pursuit which may somehow stall or pause the inevitable movement of organic decay are all traced through seamless dialogue between the artists’ works.

Loriel Beltran, Catalina Jaramillo, Joe Segal and Shelter Serra’s work manifest the essence of the religious celebration towards a broader audience: a unique consideration within the Sukkah, itself and moving indoors to the gallery space. A repurposed wooden wall acts as part of the Sukkah’s physical structure, a resin cast of the actual Four Species, two highly finished aluminum-implanted wooden beams hung side by side, and a meditative performance will act as visual suggestions.

Art Nouveau Gallery invites you to White Surfaces
Saturday October 15, 5 – 9 pm
Wynwood Arts District
348 NW 29th St.
Miami, FL 33127
305 573 4661
artnouveaugallery@yahoo.com

Georgina Chumaceiro and Elizabeth Hazim Directors of Art Nouveau Gallery cordially invite you to the Opening Reception of White Surfaces By Carlos Medina

Image: Caros Medina, Superficie Blanca XLII, 2011, Rotulado, PVC, MDF, Acrovinílica Blanca, 30 x 30,6 x 7,4 cm.

Zadok Gallery / Marshall Arisman opening
Friday, October 28th 6-9pm
Zadok Gallery
2534 North Miami Avenue
Miami FL 33127

You are invited to attend an opening for Marshall Arisman at the Zadok Gallery on October 28th, 2011 from 6pm until 9pm at the Zadok Gallery. Please save the date and join us for the official grand opening of his show entitled “The Ayahuasca Series”.

This is a group of paintings and large format drawings. Ayahuasca (ayawaska pronounced [aja’waska] in the Quechua language) is any of various psychoactive infusions or decoctions prepared from the Banisteriopsis spp. vine, usually mixed with the leaves of dimethyltryptamine-containing species of shrubs from the Psychotria genus. The brew, first described academically in the early 1950s by Harvard ethnobotanist Richard Evans Schultes, who found it employed for divinatory and healing purposes by the native peoples of the Amazonian Colombia, is known by a number of different names. A notable property of ayahuasca is that neither of the ingredients cause any significant psychedelic effects when imbibed alone; they must be consumed together in order to have the desired effect. How indigenous peoples discovered the psychedelic properties of the ayahuasca remains unknown.

Marshall Arisman is an internationally known painter, illustrator, teacher, and story-teller. Arisman’s work has strong emotional themes which often explore the connections between humankind and violence and the resulting spiritual impact, and may be seen in the permanent collections of the Brooklyn Museum, at the National Museum of American Art and the Smithsonian Institution, as well as in many private and corporate collections. Marshall Arisman work has been part of the larger cultural language for the past several decades, appearing in places such as the covers of Time magazine, book covers and feature films. Mr. Arisman was the first American invited to exhibit his artwork in mainland China. His series, “Sacred Monkeys,” appeared at the Guang Dong Museum of Art in April 1999. He is the subject of a full-length documentary film directed by Tony Silver titled “Facing the Audience: The Arts of Marshall Arisman.”

Collections include: The Metropolitan Museum of Art, Brooklyn Museum, New-York Historical Society, Smithsonian American Art Museum, Telfair Museum of Art, Guang Dong Museum of Art; Guangzhou, China.

Elisabetta Fantone’s Artist’s Rendering
The incomparable: Elisabetta Fantone Artist’s Rendering exhibit
October 11, 2011, 7 pm – 11 pm
Myra Galleries
Myra Galleries
177 NW 23RD Street, Wynwood
Miami, FL 33127

The incomparable: Elisabetta Fantone Artist’s Rendering exhibit

V.I.P and Press Reception – Exclusive Preview
Tuesday, October 11th from 7pm – 10pm
Complimentary Cocktails

Meet & Tweet with Elisabetta: @ElisabettaTweet

RSVP to ArtEvents@brprgroup.com for guaranteed entry.

Words & Wine
10/12/11, 9p-3a
The Electric Pickle
2826 North Miami Ave
Facebook Evite.

Ladies, Gentlemen, honey badgers and the like:
Words & Wine is back and being hosted at The Electric Pickle

3$ Beers 5$Wine & 5$ Shots

If you have not had the pleasure of witnessing it for yourself, this is a lovely venue that offers local and international talent. It is very cozy, well lit atmosphere where everyone can be themselves.

Very exciting stuff happening! We just celebrated our one year anniversary and let me tell you we could have not been given a better birthday gift then the Award for Best Open Mic in 2011 published by the Miami New Times!

This is just the very beginning, join us for our Open Mic EVERY WEDNESDAY! Let’s get together and continue to share good vibes and creativity. Miami is redefining it’s Art scene and our movement has created a pavement for poets, musicians, dancers, thinkers, lovers, and people who just need to get away and express themselves freely.

Let’s once again get together, drink some wine, share some thoughts and be happy.

The Electric Pickle will be opening up the back patio for us under two conditions. 1) No Jamming Outside, the neighbors have been complaining. We will have intermissions between acts for the jammers to play on stage throughout the night. Take it all out of your system on stage! 2) No Smuggling Of Drinks Please! If anyone is seen with a drink purchased outside of the pickle, you will be asked to leave and not return. Please respect this event and the establishment. Thanks guys! See you Tomorrow

18+ for girls
5$ For anyone under 21 and free for those over 21
Great Drink Specials Full Bar

Please help to continue this event at this venue. Please do not bring your own drinks, they have a full bar inside. Let’s Have a great time responsibly and keep this venue clean and beautiful.
If any questions please call

Nikki Rodriguez at 786|728|4748 or
Lou Roman 305|298|8759.

www.electricpicklemiami.com

Facebook Fan Page

Audrey Love Gallery: ME TOO: All the same
October 14th, 7-10pm
Bakehouse Art Complex
561 NW 32nd Street
Miami, FL 33127

Produced by St. Thomas University Graduate Students
The artists will be creating self-portraits that reveal a side of themselves that they seldom show to society. The concept behind this self-portrait is that in our day to day lives, as we interact with the rest of society, there is a side of ourselves that we suppress because we have been conditioned to think that this side of ourselves is somehow unacceptable or not mainstream. As humans, we have more in common than not, and this exhibition will help guests explore the connection of their hidden selves with the artist’s through these revealing self-portraits.

Exhibiting Artists: Jaime Angula, Olivier Casse, Silvana D’Mikos, Marcelo Daldoce, Irena Gapkovska , Juan Griego, Tracey Hagen, Colleen Kelley, Deborah Mitchell, Nicholas Nehaniv, Gustavo Oviedo, Hugo Patao, Russ Ronat, Carrie Sieh, Donna Lee Steffens & William Vallenilla

Viking Funeral Opening at Fredric Snitzer Gallery
Opening Reception: Wednesday October 5, 2011 6-9 pm
Fredric Snitzer Gallery
2247 NW 1st Place
Miami, FL 33127

PROJECT SPACE
Viking Funeral
DARK AGE AHEAD

October 5 – November 5, 2011

About Dark Age Ahead:
Dark Age Ahead is an exhibition based loosely on Jane Jacobs’ 2004 book “Dark Age Ahead”. In this book, the author characterizes a dark age as a “mass amnesia where even the memory of what was lost is lost.”
Taking Jacobs’ text as a starting point, sculptures and works on paper have been fabricated to further explore the themes of decay and abandonment in contemporary media and culture.

About Viking Funeral:
Viking Funeral engages with social conventions and meets pop culture with a counter gesture, when rejection and refusal merge with forms of chaos and defacement. Their media and products evolve from pop societies and their determining social systems of order. These social systems do not only serve as conceptual starting points, but also as artistic tools. Materials and objects from the everyday cultural production like newspapers, magazines, TV, video, Internet, spray paint, tape and markers play a central role in their language.

David Castillo Gallery presents Fabian Peña’s Subliminal, Reception
Thursday, October 6, 6-10 pm
David Castillo Gallery
2234 NW 2nd Avenue
Miami, Florida 33127
www.davidcastillogallery.com

October 6 – November 5, 2011

David Castillo Gallery is proud to present Subliminal, Fabian Peña’s first solo show with the gallery. Centered in his locus of collage, sculpture and painting, and navigating his rhetorical milieu of organic and found materials, Peña argues for an entomology that is also anthropology; a mysticism that is also realism; a microcosm that is also infinity.

On observing nature, Hegel writes: “But the boundary line of what, like elephant, oak, gold, is markedly distinctive, the line of demarcation of what is genus and species, passes through many stages into the endless particularization of the chaos of plants and animals, kinds of rocks, or of metals, forms of earth, etc. etc., that only force and craft can bring to light.” (1)

Add to this exulted litany Peña’s splintered eggshells, fragments of cockroach wings, and crushed houseflies shattered like glass. Manipulate them with the force and craft of an artist who is also a trained observer. Combine the meticulousness of scientific classification and the raw impact of materiality. This aptly describes Peña’s four large-scale paintings in Subliminal. Peña’s paintings are consumptive in their visual effect and their ontology in sources the artist personally ingests, including newspapers, fashion magazines and pornography. Like the wings of a moth, Peña’s painterly pastiche yields cumulative subjects, such as a track-and-field athlete in the climax of a high jump. The trajectory of the jump will differ relative to the spacetime of the viewer and their association with Peña’s referential materials.

Peña meets the viewer in mid-air, where one is vulnerable to transience and desire. In mid-air, it is possible, like Schrödinger’s cat, to be both dead and alive. It is possible, like Turing’s infamous test, to be both human and machine. Peña’s work is premised on grasping binary dualism. This struggle is evident in Peña’s series of light boxes. It is also clear in Modern Society, a sculpture that borrows the interface of a compact disc so that, peering through the CD’s circular center through hundreds of pages of historical texts, the viewer encounters a video of ants devouring a scarab beetle alive.

Peña’s materials and process give form to a fecundity of all that is, seen and unseen. Peña displays awe that is a fascination with nature itself, regardless whether the genesis lies in mythology, scientific inquiry or the Freudian notion of the artist as godhead. When Peña micro-mosaics a human skull with cockroach fragments, he references mysticism and natural order. By synthesizing seemingly divergent materials, Peña transforms, for example, the American Dollar and the Chinese Yuan into symbols of immeasurable value.

Peña’s artistic practice is layered with cockroach wings and egg membrane, paint and shreds of celebrity rags. Peña’s depiction of flesh becomes an intermediary between human and animal, natural and manufactured, self and other, the artist’s material and the material world. Subliminal is the quiet disrobing of the viewer, an emperor in new clothes, a sovereign of all that is, seen and unseen.

Fabian Peña was born in Havana, Cuba and lives and works in Miami, Florida. He studied at Superior Institute of Arts in Havana. Peña’s work has been shown extensively throughout the US, Europe and Latin America. His work has been featured in notable publications, including The New York Times, and The Miami Herald. Recent exhibitions include Dead or Alive at the Museum of Art and Design in New York and New Work Miami at Miami Art Museum.

(1) Hegel, Georg Wilhelm Friedrich, “The Phenomenology of the Mind,” 2nd ed. Trans. J.B. Baillie. Mineola, New York: Dover Publications, 2001, page 141.

Zack Balber Exhibition Opening at Fredric Snitzer Gallery
Wednesday October 5, 2011 6-9 pm
Fredric Snitzer Gallery
2247 NW 1st Place
Miami, FL 33127

October 5 – November 5, 2011

The Hebrew word Tamim translates as “pure”, “unblemished”, and “complete”. Photographer Zack Balber offers his unique, incongruous twist on Tamim’s denotation in his first solo exhibition at the Fredric Snitzer Gallery. Using portrait photography as his vehicle, Balber intimately uncovers the camouflaged identity of some of Judaism’s most unfamiliar Jews.

Born and raised in gritty inner-city neighborhoods throughout the country, both the photographer and many of his subjects were void of Jewish role models. Instead of praising their ancestry, they concealed their culture behind tattoos and vanity in a pursuit to assimilate. These men portray themselves as Bear Jews, the fighters, and the Sunday-School delinquents: they are the truly unconventional Jews.

Relocated to the close-knit Jewish community in Miami, Balber began to reconnect with his roots. During his cultural rediscovery, he encountered men who were similarly unorthodox yet retained that indefinable Jewish spark. Interestingly, when approached with the opportunity to be photographed as Jews, these ordinarily recalcitrant men let go of their powerful exteriors and embraced the vulnerability of portrait photography. When the participants donned the yarmulke that Zack Balber wore for his Bar Mitzvah, each of them expressed a spiritual reconnection to their culture, captured within these photographs.

Balber’s portraits of men who are ostensibly Tamim–proud, unashamed, and whole—exquisitely reveal their insecurity, vulnerability, and fear of exposure. Although their appearances may initially distract us from their inner reality, the tattoos and bling cannot obscure their heritage of Hebrew day school, spiritual mentors, or even the Holocaust. Through the courage and trust of both Zack Balber and his sitters, the photographer developed a rapport that catalyzed his sense of community and brotherhood. In an introspective discussion on his body of work, Balber noted, “that religion is far more than skin deep and that a connection with G-d can always be reignited.” Despite his initial rejection of Judaism, Balber’s portraits led him to rediscover the culture that is now his lifeline.

Click below to read an interview with Zack Balber on his upcoming exhibtiion Tamim:
http://blogs.miaminewtimes.com/cultist/2011/09/final_how_zack_balbers_portrai_1.php

Image: Zack Balber, Pimpy Pat (Color), 2011, Lambda Print, 46 x 66 in.

Words & Wine at The Electric Pickle
10/5/11, 9p-3a
The Electric Pickle
2826 North Miami Ave
Facebook Evite

Ladies, Gentlemen, honey badgers and the like:
Words & Wine is back and being hosted at The Electric Pickle

3$ Beers 5$Wine & 5$ Shots

If you have not had the pleasure of witnessing it for yourself, this is a lovely venue that offers local and international talent. It is very cozy, well lit atmosphere where everyone can be themselves.

Very exciting stuff happening this Summer. We just celebrated our one year anniversary and let me tell you we could have not been given a better birthday gift then the Award for Best Open Mic in 2011 published by the Miami New Times!

This is just the very beginning, join us for our Open Mic Every Wednesday! Let’s get together and continue to share good vibes and creativity. Miami is redefining it’s Art scene and our movement has created a pavement for poets, musicians, dancers, thinkers, lovers, and people who just need to get away and express themselves freely.

Let’s once again get together, drink some wine, share some thoughts and be happy.

The Electric Pickle will be opening up the back patio for us under two conditions. 1) No Jamming Outside, the neighbors have been complaining. We will have intermissions between acts for the jammers to play on stage throughout the night. Take it all out of your system on stage! 2) No Smuggling Of Drinks Please! If anyone is seen with a drink purchased outside of the pickle, you will be asked to leave and not return. Please respect this event and the establishment. Thanks guys! See you Tomorrow

18+ for girls
5$ For anyone under 21 and free for those over 21
Great Drink Specials Full Bar

Please help to continue this event at this venue. Please do not bring your own drinks, they have a full bar inside. Let’s Have a great time responsibly and keep this venue clean and beautiful.
If any questions please call

Nikki Rodriguez at 786|728|4748 or
Lou Roman 305|298|8759.

www.electricpicklemiami.com

Facebook Page

Hidalgo’s Closing Exhibition Event With Special Guest Michael Capponi
Thursday, September 29 · 7:30pm – 10:00pm
Cafeina Whywood Exhibition Center
297 Nw 23 Street
Miami, FL

You Are Cordially Invited To Attend The Closing Party For Leonardo Hidalgo’s Exhibition
Which Opened On September 9, 2011 With The Special Attendance Of Michael Capponi.

Hidalgo Will Showcase A Special Portrait Of Michael Capponi Which Will Be Unveiled That Night In Honor For His Work And Dedication To Haiti.

Complementary Drinks Courtesy Of Cafeina From
7:30pm-8:30pm

Please Rsvp: rsvpmiamiart@gmail.com & 786-217-0130
No Entrance Cover

Bhakti Baxter: Rompelotas Opening Reception
October 7th, 7-9pm
Gallery Diet
174 NW 23rd Street
Miami, Florida 33127
www.gallerydiet.com

October 7th – November 12th, 2011
ROMPELOTAS is the first Miami solo exhibition in four years for locally based artist Bhakti Baxter. The exhibition will include sculpture, painting, collage, and installation based work.

ROMPELOTAS is a collection of work assembled through a careful balance between play and placement. Found objects such as soccer balls and office desk drawers collide with concrete and enamel to behave like irrational models of natural phenomena. Though various layers of media stack up against each other unsettlingly throughout the gallery, the work consists of very basic organic and geometric patterns such as branching, spherical implosion, vertical and panoramic support structures, both rendered and actual. Viewed as a whole, the parts function as components of an expanded portrait, with sculptures and drawings embracing the micro and macro at every junction. Working closely with the laws of gravity, density, and the malleability of mass, Baxter transforms quotidian objects into forms imbued with metaphysical propositions, further defined by the self-made aesthetic of these forces.

The word ROMPELOTAS is a play on the term rompe pelotas, which means ball breaker in Spanish.

Bhakti Baxter has exhibited at Federica Schiavo Gallery in Rome, Emmanuel Perrotin Gallery in Paris, Bravin Lee Programs, and Guild and Greyskhul in New York. He has also exhibited at the Museum of Contemporary Art, North Miami, where he is in the permanent collection, The Bass Museum of Art Miami Beach, The Museum of Contemporary Art Washington DC, and The Ft. Lauderdale Museum of Art. His work is also included in the permanent collection of the NOMAS Foundation in Rome. This will be Baxter’s first solo exhibition at Gallery Diet.

The exhibition is being accompanied by a 120-page hard cover retrospective publication including texts by Geir Haraldseth, Gean Moreno, and Hugh Stockton.

For additional information, interviews or images please contact Jon Handel at jon@sparkplug-pr.com or 347-742-4380.

Special thanks to Palm Breweries.

Photographs with an Audience is finally here!
Sunday, October 2nd 4 PM
Monday, October 3rd 7 PM
174 NW 23 Street
Miami, Florida 33127

Gallery Diet is pleased to present the fourth incarnation of Photographs with An Audience, a performance by artist Clifford Owens. By eliminating the boundaries between artist and viewer and engaging the audience as participants, Owens will confront viewers in a new form of performance experience. Audience members are invited into the process of creating photographs, to produce compositions that reflect the experiences – past and present-of the group. The resulting photographs, which will be featured in an upcoming solo exhibition of the artist’s work opening Gallery Diet beginning on November 17, will be presented as static objects that challenge our notion of performance documentation and the creation of photographic artwork born out of action.

Photographs with an Audience is Clifford Owens’ debut performance and exhibition in Miami. The performance has been previously shown at The University of North Carolina, The Houston Museum of Contemporary Art and On Stellar Rays in New York City.

PERFORMANCE SCHEDULE:
October 2nd 4 PM
October 3rd 7 PM
Please arrive early as space is limited

Owens brings a new perspective to the history of performance art through the act of repeating canonical works within the very different context of current era, through the incorporation of the camera, his own body, and new audiences. He also restages historical live art works by other artists, creating open-ended situations that challenge the convention of art-making. He is currently working in a studio at MOMA/PS1 on Anthology a project which encompasses the work of over 20 inter-generational African American artists. The exhibition will be on view at the Museum in Fall 2011, a catalog will be published in 2012 with a text written by the exhibition curator, Christopher Lew.

Clifford Owens holds a BFA (1998) from the School of the Art Institute of Chicago, and an MFA (2000) from Rutgers University, New Brunswick, New Jersey. He has participated in the Whitney Museum Independent Study Program, Skowhegan School of Painting and Sculpture, the Studio Museum Residency in Harlem, and is a recipient of the Louis Tiffany Comfort Award and the Lambent Fellowship for the Arts. Owens has exhibited at P.S.1/MoMa as part of Greater New York, the Queens Museum of Art, NY, List Visual Art Center, Cambridge, Massachusetts, Yerba Buena Center for the Arts, San Francisco, and Para-Site Art Space, Hong Kong. Publications which have included his works are Performa: New Visual Art Performance, and The Greater New York Book. His projects and exhibitions have been written about in Art in America, Art+Auction, Newsweek, New York Times, Village Voice and other publications. Clifford is represented by On Stellar Rays and will be exhibiting with Gallery Diet on November 17.

Special thanks to the de la Cruz collection where Owens will be in residence beginning in October 2011. Work created in this residency will be part of TKTK.

Some thoughts on the work from the Fall Issue of BOMB magazine…
Nick Stillman in conversation with Clifford Owens in BOMB Magazine about the Houston Contemporary Museum’s incarnation of Photographs with an Audience
Owens: … The project is about the construction of a photograph with myself and/or the audience through simple gestures…
Stillman:… I found it to be one of the most unforgettable experiences of my life. Everyone in that room was going to walk away thinking about it for a while.
Owens: … we are all responsible for each other, because we have more in common than we think… trust was established in that small room, among strangers.

Words & Wine
9/28/11, 9p-3a
The Electric Pickle
2826 North Miami Ave
Miami FL
Facebook Evite

Ladies, Gentlemen, honey badgers and the like:
Words & Wine is back and being hosted at THE ELECTRIC PICKLE

3$ BEERS 5$ WINE & 5$ SHOTS

If you have not had the pleasure of witnessing it for yourself, this is a lovely venue that offers local and international talent. It is very cozy, well lit atmosphere where everyone can be themselves.

Very exciting stuff happening this Summer. We just celebrated our one year anniversary and let me tell you we could have not been given a better birthday gift then the Award for Best Open Mic in 2011 published by the Miami New Times!

This is just the very beginning, join us for our Open Mic EVERY WEDNESDAY! Let’s get together and continue to share good vibes and creativity. Miami is redefining it’s Art scene and our movement has created a pavement for poets, musicians, dancers, thinkers, lovers, and people who just need to get away and express themselves freely.

Let’s once again get together, drink some wine, share some thoughts and be happy.

The Electric Pickle will be opening up the back patio for us under two conditions. 1) NO JAMMING OUTSIDE, the neighbors have been complaining. We will have intermissions between acts for the jammers to play on stage throughout the night. Take it all out of your system on stage! 2) NO SMUGGLING OF DRINKS PLEASE! If anyone is seen with a drink purchased outside of the pickle, you will be asked to leave and not return. Please respect this event and the establishment. Thanks guys! See you Tomorrow

18+ for girls
5$ For anyone under 21 and free for those over 21
Great Drink Specials Full Bar

Please help to continue this event at this venue. Please do not bring your own drinks, they have a full bar inside. Let’s Have a great time responsibly and keep this venue clean and beautiful.

www.electricpicklemiami.com

Facebook Page.

Thursday September 22, 6 – 9
Art Nouveau Gallery
348 NW 29th St.
Miami, FL 33127
Wynwood Arts District
www.artnouveaugallery.net

Georgina Chumaceiro and Elizabeth Hazim Directors of Art Nouveau Gallery, cordially invite you to the Opening Reception of Sideral Spheres by Héctor Ramírez

Kinetic art in Venezuela leaves more than an imprint on our memories. It remains because it is a way of understanding art as a continuous innovation, since the artist explores the infinite possibilities that can be reached with the most pure and expressive elements: line, form, color, movement, and transformation. That is why the artist, who adopts this course of action, always researches because he finds in the work of art the materialization of an unexpected, changing and surprising event for him and for the spectator.

For over 20 years, Art Nouveau has captured the hearts of collectors who appreciate and enjoy art. Since its creation, this gallery has undertaken de challenge of showcasing the most interesting proposals in the international scene, and has done so with sensitivity and courage. It has become a reference for experts in Latin American art.