The Wilderness opens with an exhibition preview and conversation with exhibition artists David Brooks, Christy Gast and Allan McCollum.
MAM members free, non-members $20.
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March 27 – June 26, 2011
Miami Art Museum presents The Wilderness, a thematic group exhibition exploring the real or imagined boundaries between tamed and untamed nature. On view March 27 through June 26, 2011, the exhibition grapples with competing definitions of â€œwildness,â€ pitting traditional conceptions of a chaotic, primordial realm that awaits human subjugation against the idea of a self-regulating order that courses through the natural world.
â€œThe works included in The Wilderness raise fundamental questions about humanityâ€™s relationship with nature,” said MAM Associate Curator RenÃ© Morales, curator of the exhibition. â€œIn different ways, each work dramatically underscores the intertwinement of nature and the human sphere, while evoking some of the psychological, political, ethical and ecological ramifications of our historical tendency to conceive of them as separate entities.â€
The Wilderness features a focused selection of film and sculptural installations, each with its own dedicated space, by artists Darren Almond, David Brooks, Tacita Dean, Christy Gast and Allan McCollum â€“ in addition to works by Matthew Buckingham, Aramis Gutierrez and Fernando Ortega.
At the center of the exhibition is a large-scale installation by Allan McCollum titled The Event: Petrified Lightning from Central Florida (with Supplemental Didactics) (1998). To create this ambitious work, the artist joined forces with a team of geologists and electrical engineers from the University of Floridaâ€™s International Center for Lightning Research and Testing near the small town of Starke, Florida. McCollum and his collaborators spent several weeks triggering lightning strikes with the use of small rockets, which were attached to copper wires that directed the lightning bolts down to containers filled with sand from the area. The process resulted in the creation of numerous â€œfulguritesâ€ â€“ small glass objects that bear the same form of the bolts that created them. The artist then worked with a local souvenir manufacturer to create thousands of replicas of a single, selected fulgurite, which are arranged in a jaw-dropping display together with thousands of specially produced booklets dealing with fulgurites, lightning and the project itself.
In collaboration with the Florida Keys Wild Bird Center, CasaLin Pine Rocklands and the de la Cruz Collectionâ€™s artist-in-residence program, David Brooks created a new, site-specific commission for the exhibition. Titled Still Life with Stampede and Wild Seabirds, the project poignantly juxtaposes the wildlife of our imaginations (represented here by the type of concrete animal sculptures that adorn many South Florida lawns) with the real wildlife that struggles daily to survive amid and at the edges of the local urban environment.
In Darren Almondâ€™s eerie video installation Arctic Pull (2003), a lone figure is seen laboriously dragging a sledge across the permafrost while battling the intense wind, cold and gloom of a pitch-dark Siberian night. The work poetically recalls the harrowing journeys of Arctic explorers in the 19th and early 20th centuries while suggesting, in a broader sense, the historical trope of humanityâ€™s epic struggle to conquer the worldâ€™s unknown territories.
Another major work in the exhibition is Christy Gastâ€™s Batty Cave (2010). In this three-channel video installation, the artist uses rocks, scraps of wood and bits of broken glass to relay a folkloric narrative of two men who built an ark in a dusty, remote mountain cave deep in the Utah desert, in preparation for a second biblical flood that they believed would wash away the human world.
The Wilderness also features Tacita Deanâ€™s ethereal 16mm film Banewl (1999), in which the quiet calm of a rural pasture is gradually disturbed by the onset of a solar eclipse. Several moments before the eclipse occurs, the behavior of the animals in the scene becomes erratic, providing subtle testimony to the mysterious levels of perception that animate the natural order â€“ the secret presence of wildness that courses through even the tamest of landscapes, just beyond the thresholds of human comprehension.
Miami Art Museum will offer special tours and discounts for members of local environmental and conservation organizations. For participation information visit miamiartmuseum.org or email firstname.lastname@example.org.
Exhibition Organization and Support
The Wilderness is organized by Miami Art Museum and curated by MAM Associate Curator RenÃ© Morales. It is supported by donations to MAMâ€™s Annual Exhibition Fund. Educational content of this program is made possible with support from EspÃrito Santo Bank.
Miami Art Museum
Miami Art Museum, a modern and contemporary art museum located in downtown Miami, FL, is dedicated to collecting and exhibiting international art of the 20th and 21st centuries with an emphasis on the cultures of the Atlantic Rimâ€”the Americas, Europe and Africaâ€”from which the vast majority of Miami residents hail. Recently, Miami Art Museum has presented exhibitions of works by Janet Cardiff and George Bures Miller, Carlos Cruz-Diez, Quisqueya Henriquez, Guillermo Kuitca, Wifredo Lam, Susan Rothenberg and Yinka Shonibare, and its Permanent Collection includes works by Doug Aitken, JosÃ© Bedia, Mark Dion, Marcel Duchamp, Felix Gonzalez-Torres, Ann Hamilton, Arturo Herrera, Alfredo Jaar, Sol LeWitt, Vik Muniz, Wangechi Mutu, Robert Rauschenberg, Gerhard Richter, James Rosenquist, Tomas Saraceno, Lorna Simpson and Rachel Whiteread, Miami Art Museumâ€™s educational programming currently reaches more than 30,000 people every year, with the largest art education program outside the Miami-Dade County Public Schools. The new Miami Art Museum at Museum Park, designed by Herzog & de Meuron, is scheduled to open to the public in 2013. The new facility will provide room to showcase growing collections, expanded exhibition space to bring more world-class exhibitions to Miami-Dade County, and an educational complex. For more information about Miami Art Museum, visit miamiartmuseum.org or call 305.375.3000.
Accredited by the American Association of Museums, Miami Art Museum is sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs and the Florida Arts Council, and the National Endowment for the Arts; with the support of Miami-Dade County Department of Cultural Affairs, the Cultural Affairs Council, the Mayor and the Board of County Commissioners. Miami Art Museum is an accessible facility. For sign language interpretation or assistive listening devices please call Miami Art Museumâ€™s education department 305.375.4073 at least five days in advance. Materials in accessible format may be requested.Thank you for using Soul Of Miami!