Guest Article by Brian Lemmerman: Report on the 2013 Miami-Dade Transportation Summit 6/6/13

Guest Report By Brian Lemmerman

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Rarely does a full-day local government-run conference in the middle of a workweek draw such a massive crowd. For that, Miami-Dade County, I applaud thee. The entire event was well-run and administered without technical difficulties. Those are our tax dollars at work.

The full day summit was split into two tracks: an infrastructure/technology track and a financial track, where expert panelists spoke about their niches and responded to public comments. As an urban planner, I opted to attend the infrastructure track. Presentations consisted of 95% background and 5% future visioning. I’m going to focus on the 5%. You can also catch the Twitter conversation at #MDCTransit13 for the next 20 or so days before the hashtag gets gobbled up by the internets.

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Miami-Dade County Mayor, Carlos Gimenez set the tone with a case for smart transit, a type of transportation that is not only efficient, but integrates with technology that makes transit readily accessible to everyone. We’re talking about kinetic rail systems and battery-powered bus rapid transit that charges through induction on the highway and can support itself off the highway for miles before returning for a recharge.

MDX’s (Miami-Dade Expressway Authority) chair, Maurice Ferre discussed his vision for retrofitting our existing highway infrastructure with these technologies to make the most of what we already have. Many audience members, including Transit Miami’s Matthew Toro pushed back on this ideal, expressing that we’re perpetuating our reliance on 20th century modes of transportation and outdated ways of thinking.

Citizen feedback was split 50/50 between topics regarding bus/rail, and topics surrounding sustainability/climate change/bicycling. The conversation around climate and cycling, topics scarcely touched on by the experts, generated significantly more audience buzz both in the crowd and on Twitter – often rousing applause. Three times consecutively, however, audience comments (including my own) addressing solar technology incorporation, sea level rise consideration and bicycle intergration were politely dismissed and tabled by the panel moderator in favor of other questions.

In the latter half of the summit, Coconut Grove Collaborative CEO, J.S. Rashid, called for the “reprioritizing of transit solutions in our communities”, expressing that supporting low-income communities with reliable public transportation is essential not only for making economic opportunity equally accessible, but also for saving employers on salary premiums paid out to the car-owning upper-middle class who generally have higher living expenses.

Toward the closing, panelists discussed how leadership drives ridership. A question from Marketing Professional, Francine Madera regarding how often each of the elected officials at the front of the room actively use public transportation revealed that, although some take the bus or MetroRail to work or for weekend excursions a couple days a week, most of the time, they drive.

Takeaways

  1. The general theme of the conference was Smart Transit with a preface of rehabilitating our existing infrastructure. Miami-Dade Transit Agencies are focused first on giving our highways a consistent experience i.e. all of the exits on the 836 Dolphin Expressway should be on the right. Then, they’re focusing on retrofitting those highways with new technologies for electric or hybrid bus rapid transit systems.
  2. Miami-Dade County doesn’t yet have canned responses for questions and comments regarding climate change, solar energy or bicycling when it comes to transit, although it was apparent that many of the panelists weren’t closed entirely off from the issues.
  3. We have to be willing to pay for everything we want. Transit authorities made it clear several times throughout the day that magical transit solutions don’t just appear out of thin air. One of the most hyperbolized quotes of the day:

Everyone wants to go to heaven, but nobody wants to die.

Cool Statistics Mentioned by Panelists

Fact Checking is Encouraged

  • A single Miami MetroRail car costs $3 million. A metro mover car costs $2 million.
  • Every dollar invested in transit yields $3.5 dollars in wealth for our communities.
  • 70% of Miami Transit is subsidized. The U.S. average is 50%.
  • 3% of Miami-Dade’s population uses mass transit compared to 13% in New York. When asked who in the room uses Miami’s public transportation, roughly 90% of the hands went up. >> I was just informed that these numbers put out by Maurice Ferre are entirely inaccurate. I will provide an update once I review the data.

What was Accomplished

I’m not exactly sure. Experts gave citizens the vision for the future. Citizens expressed concerns and gave constructive feedback. My hope is that civilian input will be taken into consideration when planning our next 20-30 years of transportation systems.

On another note, a small group of young people were united both in person and via Twitter. Here’s a list of people I interacted with who care deeply about the future of Miami:

Miami-Dade Expressway Authority’s Social Media manager made himself known. This a major development, given that MDX expressed a dire need to jump on social media at their council meeting back in April. His name is Mario Diaz, and can be contacted via Twitter @MDXway. Please be nice and send him informed questions and comments. He has better things to do than answer baseborn 140-character complaints from the uneducated public. He gets those all day and ignores them.

My Thoughts

To guide the conversation away from using automobiles and toward using other forms of transit, I feel that public transportation in Miami needs a full brand overhaul. If we really want people to make that shift, it won’t matter how reliable the bus schedules are or how advanced our new high-speed rail systems get. Taking the bus or the MetroRail today, you feel like a second-rate citizen – most of the time, waiting unshaded along a 6-lane freeway, sitting next to coughing strangers, breathing black diesel exhaust, avoiding the sticky seat, and wondering how those kids etched graffiti into the glass. It’s as though our current transit system was designed without human enjoyment in mind, and it has deteriorated over time as a result. Remember, it costs $3 million for a single MetroRail car.

I think it’s time we make public transportation sexy in Miami.

The way advertisers have managed to make driving sexy. Except we won’t do it with fancy cupholders and all-wheel drive. We’ll do it with unique experiences that driving doesn’t offer.

I had a conversation with Mary Adelyn Kauffman, a musician and doctoral fellow from the University of Miami, who shared with me some of the great transit experiences her travels in Germany had to offer that could work just as well here:

  • The Party Bus – a downtown circulator complete with disco ball and music to transport pub crawlers (and other people too).
  • Weekend concerts and performances on the train in partnership with local performing arts schools.
  • A monthly “Leave Your Car at Home Day” with incentives provided at local events and other venues.

Please share your thoughts and ideas here in the comments.

I also recommend reading this book: “Making Transit Fun! How to Entice Motorists from Their Cars (and onto their feet, a bike, or bus)” by Darrin Nordahl. It’s only $3 if you have a Kindle.

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Contact Your Local Transportation People

Boy, would they love to hear something positive for a change! The best way to get in touch with the people in charge of the summit to express transportation concerns is through this Miami-Dade Transportation Trust website page. If anyone can find their Facebook Page, please send me a link, and I’ll post it here.

Guest Article by Sylvia Pilar: International Wines: US Tour 2013

International Wines: US Tour 2013, article by Sylvia Pilar
Wine tasting has become  a favorite pastime across the country.  Tastings are offered everywhere from the local liquor store to the major discount wholesalers   and wine and food festivals across the country. These events have opened the doors to consumers to go out and taste local wines and from around the world as well as educate their palate. Special wine industry tastings from wine producing regions around the world offer  private events for the trade. T wo elaborate wine tasting events for the trade were held in Miami Beach this January .  As a sommelier and consultant, it was my pleasure to attend both these events.

Castilla-La Mancha US Tour 2013
January 17th- South Beach, Miami…Spain’s wines of Castilla-La Mancha US Tour 2013 was held at the
former Versace Mansion, now converted to an exclusive boutique hotel, “The Villa by Barton G”.  The opulent setting provided a marvelous opportunity to meet the winemakers who make the wines and are keepers of the traditions. It was also an opportunity  to  discover the wonders of this fascinating wine region  from the land of Don Quixote’s.  A seminar was conducted by local wine experts  to introduce and familiarize attendees to featured wine selections. Delicious authentic Spanish tapas and live music were splendid pairings and an added bonus to the excellent wines!

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The wine region represents one of the oldest wine-making regions in the world. The winemakers show-cased winemaking styles that utilize and wine2combine traditional methods with modern techniques.  The wines represented an array of 46 grape varieties to meet every palate and budget, from  the youngest to the special reserves: reds, whites, roses and sparkling wines.

Outstanding  wines from the various vineyards included award winning wines, and organic wines.The “Don Quixote’s Spain” brand represents a variety of wines from a region in central Spain that reflects the plurality and the diverse cultures of Castilla-La Mancha. FINE WINE, HOW DIVINE!

Vinitaly & Slow Wine Tour 2013
January 30, 2013  -  Miami Beach:  Slow Wine guide presentation and tasting  chose the Miami Beach Spa and Resort as one of the U.S locations. This wine expo was a joint venture of Vinitaly International, the ambassador of Italian wine  in collaboration  with  the publisher of Slow Wine Guide, an English guide to Italian wines.  It  offered  the  American wine trade 2013′s most comprehensive Italian wine tasting and education in the US.

The Vinitaly tour format combined seminars, interviews, round tables ,  tastings  to  buyers, distributors, food and beverage managers, sommeliers, opinion leaders and specialized press.  An exclusive olive oil master  class hosted by UNAPROL, the organization of Italian olive oil producers as well as master tasting classes on Prosecco and Soave,  presented an  additional element to the program.  A  light lunch, along with desserts, fruit and cheese complimented the walk around tastings.

With so many wines show casing, the event was spread over two floors: the lobby area and the 18th floor banquet and conference facilities.  Plenty of Proseccos and Moscatos were at hand along with the endless  varieties of reds, whites and roses.  With over 70 wineries sampling wines from  their portfolio, guests were  able to taste their way around some of Italy’s most important and famous regions, a most tasteful and educational afternoon.

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It was a bit  overwhelming  with so much  information on the  Italian heritage of people,  vineyards and the  vast amount and  range of wines,  but nonetheless an outstanding presentation.  Additional tastings aperitifs and festivities followed at “dei Frescobaldi”  restaurant inside  the Hotel Astor in South Beach.
Cheers,
Sylvia Pilar,
Certified Sommelier/Wine consultant/Writer

Guest Post – Art Week Miami Tips for Art Aficionados and Novice Collectors by Eric Smith

Finding Affordable and Accessible Art
Amidst Art Week Miami’s More Expensive, Eccentric Offerings
By: Eric Smith, CEO of Artexpo International

“It’s interesting… but is it art?” It’s a question you sometimes hear at Miami Art Week, as the ratio of quirky, kitschy and downright eccentric art seems to soar along with the event’s exponential growth each year. Ultra contemporary art certainly has its place, but is there still a market for buyers interested in more accessible offerings?

Absolutely, says Eric Smith, CEO of Artexpo Miami, which is now in its second year in the Wynwood District. “There will always be a place for more extreme, conceptual art,” says Smith, “but the fact is, there are a lot of people who come to Miami Art Week just looking for a few innovative new pieces for their home or office.”

Each December, more than 50,000 art collectors, gallery owners and designers descend upon Miami, which has become the go-to winter destination for the fine art community. The city hosts more than 20 art fairs at that time—from storied giants like Art Basel, Art Miami, Scope and Pulse, to boutique fairs like Artexpo Miami, Ink and Aqua. Admidst all the excitement, the crowds and media tend to swarm around the more show-stopping, eclectic artworks, just as people tend to cluster around über-luxe Porches, Lamborghinis and Maseratis at car shows. But when it comes time to buy, most people favor elegant and affordable over out there and overpriced. In the end, there aren’t all that many people who actually want to buy—or can afford to—a giant $150,000 statue of, say, Donald Duck in Communist attire.

If you’re one of the many art lovers who are looking for more down-to-earth, wallet-friendly art finds, try the following tips:

1. Hit the Big Fairs for Fun, But Shop the Smaller Fairs
By all means, visit the big, iconic art fairs that started it all. Art Basel, Art Miami, Scope and others will offer you no end of extravagant eye candy, entertaining performance art and fodder for thought. But when it comes to shopping, be sure to pop in the smaller galleries and art fairs, unless your décor—and wallet—can accommodate more outlandish, big-ticket items. Must-see stops include: Artexpo Miami, Aqua, Nada, Pool, Verge, Overture Miami and Design Miami.

2. Scour the Galleries for One-of-a-Finds
Sometimes, wandering the maze of massive art fairs can feel a little overwhelming. If you’re looking for smaller doses and more intimate settings in which to explore art, you’ll enjoy the smattering of galleries in the trendy Wynwood Art District. Recently named “the 6th most stylish neighborhood” in the world by Complex magazine, Wynwood is home to over 70 galleries, museums and collections. You’ll have a wonderful time exploring this artist’s haven, and you’re sure to meet some interesting new people too.

3. Mingle with Exhibitors, Ask About Their Offerings
At an art fair or opening, exhibitors are really only exhibiting a small selection of their work. In many cases, they bring their higher-end items. If there’s an artist whose work you really like, approach them (or the owner of the gallery or publisher who is exhibiting their work) and find out if they have pieces that are more in your budget. Ask if they offer limited-edition, archival-quality reproductions of their work, as many artists do. Or if the work is very large, ask if they do smaller works. It never hurts to ask, and besides, it gives you an opportunity to get to know the artist and learn about their inspiration, technique and larger body of work.

by Eric Smith, CEO with Artexpo International

Guest Review by Sylvia Pilar: Franklin Sinanan, Painter, Mixed-Media, Sculpture and Furniture Artist

Franklin Sinanan,  Painter, Mixed-Media, Sculpture & Furniture Artist; Art  Center South Florida 810 Lincoln Road, Studio 205, Miami Beach, FL 33139  November Exhibition: “Art of the Macabre” by Sylvia Pilar

Talented artists come from around the world, to live work and create in the Miami area, and it is no wonder that a plethora of   galleries  thrive throughout Miami  stretching far  beyond the Wynwood Art Distract and to the beaches. One of my favorite places to view and attend art openings is  The South Florida Art Center  on Lincoln Road:  The art center houses eclectic artists,  studios  and art in all forms:  from fine art,  to  decorative;  from  the subtle and serene,  to the exotic and erotic … and then there is “Voodoo” art: the dark art; art of the afterlife; art of the spirit world, or, what I will refer to as the “Art of the Macabre”.

It is here  at the Art Center where I had the pleasure of attending  a recent opening featuring resident artists displ aying their art.  It is here, where we meet  Franklin Roosevelt Sinanan, a unique, avant-garde artist like no other. It is here where we can find what I call the ‘Art of the Macabre”. Yes, it is here that we find the beauty in the “Art of the Macabre”.

Sinanan’s tiny studio space is like a miniature museum of voodoo and spiritual mystery. His art abounds in  its entire  splendor.  It is a feast for the eyes, filled with overwhelming images that quietly scream the secrets of another realm with an intensity that seduces the imagination.
Sinanan’s work  is more than just the   expression of the voodoo/dark  arts. It is an expansion of his inner soul  and passion.  It reeks of his vibrant energy beneath his quiet exterior.  There is a flame that sparks light and life into the darkness with or without understanding that  awakens the beauty of the mysterious world in the “Art of the Macabre”.

Many are overwhelmed, many are perplexed and others are in awe of the images of alters, demons,  and  intense emotions  that provoke  the soul  to  question,  and interact with alternative perspectives. Regardless of whatever viewpoint one may have, there is no doubt that Sinanan is an authentic artist devoted to expressing his imagination through his art! During Art Basel Week, Sinanan will have a show at the “Art of Africa” in Overtown.

Brief Bio:
Born  in Trinidad  and raised in Canada,  Franklin Sianan now lives in Miami Beach.  Sinanan is self taught and his work has evolved and h as taken on a distinct Afro-Caribbean flair since moving to Miami.  “In Canada,” he says, “my work never looked like this. It was just a lot of white faces.”    He refers to himself as the outsider  but feels comfortable his work despite the controversial art form.  He says, “I’m Canadian … I don’t know anything about Santeria or Voodoo. “I was born in Trinidad, but I wasn’t brought up there, so all this is new for me. I don’t even know if they practice voodoo in Trinidad. Miami influenced me to create these pieces without really knowing  what I was doing. I just see it as art. But people keep telling me  its voodoo or black magic. But I just pulled this stuff out of my head. It’s all imagination.”

Review Sinanan Art2

Sinanan Summation:
“My work allows me to release my emotions and to draw the viewer  into the push  -  pull of life, love -  hate, violence  -  compassion, good -  evil. Through my work I become transparent  -  almost naked. Where nudity only shows my exterior, my art reveals the total me, inside and out  – the real me! I’m not a news junky, nor do  I read any lofty novels, but I absorb the world around me and with a non-religious spirituality I regurgitate my emotions into the work. For me, religion and politics are difficult to talk about, but when I channel it into my work it seems to come alive and mean something. I paint about everyday stuff: abuse, relationships, anger…….. Often my work offends people. I’m always surprised when people think my work evil, because I do it out of love for life. “

Franklin Sinanan
www.franklinsinanan.com

Gregg Shienbaum’s Got it Goin’ On — And Then Some 5/12/12

Gregg Shienbaum’s Got it Goin’ On — And Then Some
Urban/Street opens Second Saturday May 12 and runs through ???
Gregg Shienbaum Gallery
2239 NW 2nd Avenue
Wynwood Miami, FL

Article and Photos courtesy of John Hood

Just when you thought that Wynwood couldn’t add any more wow, along comes a mix of art space and street art which out-wows just about everyone. We mean Gregg Shienbaum, dig? Whose eponymous Gallery will be blasting out a most rousing show this next Second Saturday.

Known primarily for masters such as Warhol, Lichtenstein, Rauschenberg, Johns and Hockney, Shienbaum’s taken inspiration from the Wynwood ‘hood he now calls home and gone about as urban as urban can get and still stay way urbane. In fact, in one very striking instance, the cat has literally taken it from the streets.

That would be the mysterious figure known as Clandestine Culture (aka Posca), who Shienbaum landed on a wing and a prayer and a whim. Till now, the elusive (and masked) man had never even framed one of his trademark works, let alone showed in a gallery. For May’s Art Walk, Shienbaum has changed all that. But don’t think for a moment that this elusive figure will be in any way tamed. Rumor has it he’s gonna come through even bigger and badder than ever come Fall.

Till then though art fans can bask in the fact that right here, right now Clandestine Culture and a cast of his contemporaries, among them Russell Young, Sarah Hardacre, Pvnch, Benvinido Rodriguez and Brett Polock (as well as all stars Ron English, Shepard Fairey and Jean Michel Basquiat) will be wowing Wynwood with one of its wildest exhibits ever.

See Urban/Street for yourself and experience the delirium.

Miami City Ballet in Paris by Rebecca King

{A Guest Article by Dancer and Blogger Rebecca King.}

Miami City Ballet In Paris
by Rebecca King

This July, Miami City Ballet embarked on a three week tour to Paris where we performed 17 shows to sold-out audiences at the historical Théâtre du Châtelet. The experience was unforgettable for everyone involved and an experience we were so lucky to have. I am Rebecca King, a Corps de Ballet dancer with the Company, and today I bring you behind-the-scene photos from the City of Lights.


Miami City Ballet posters were all over the city! Dancers pose in front of the first one we saw on our first day in Paris.


We examine maps as we decide where we want to go next in the Louvre.


Checking the map, looking only slightly touristy.


The Eiffel Tower sparkling at night.


The Théâtre du Châtelet curtain from the audience.


Bowing after George Balanchine’s “Ballet Imperial” on opening night.


Enjoying fabulous French cuisine on a day off.


Ladurée macaroons became a quick favorite among the company members.


Bowing after George Balanchine’s “La Valse”.


Celebrating backstage after the last show of Twyla Tharp’s “In The Upper Room”.


A view of the Théâtre du Châtelet house from the stage.


A group photo taken after the final curtain fell on our first Parisian tour. The dance festival presenters lowered a banner from above the stage inviting us back to Paris.


Celebrating after the last show with the entire cast, including the orchestra.

We all feel so lucky to have had this exceptional experience in Paris. This was a once in a life-time opportunity. The success that we had was overwhelming; we never could have asked for a better reception from the Parisian audiences. We cannot wait to return and once again show Paris what we are made of.
For more on what is to come in Miami City Ballet’s 2011-2012 season, visit my blog, tendusunderapalmtree.com. To purchase tickets to upcoming Miami City Ballet performances, visit miamicityballet.org.

A Wynwood Photo Essay by Ralph Ventura

{A Guest Article by Photographer and Writer Ralph Ventura.}

Tomorrowland
by Ralph Ventura

Urban, hip, gritty, gentrified, artsy, blue-collar, new, and decaying. Wynwood is a place that defies description and one that presents us with a paradox.

Wynwood had it’s origins in the great Puerto Rican migration of the 1950′s. People came here in droves seeking a better life for themselves and their families, seeking a better tomorrow. Like immigrants before them, they founded a neighborhood that met their needs and reflected their character, all within the limited resources available to them. Through the years, Wynwood remained an island of genuineness in a city that was constantly being remade. It was an area apart.

As with many areas where rents are low and warehouse space plentiful, Wynwood eventually attracted artists. The artists in turn attracted the galleries, which in turn attracted collectors, dealers, restaurants, bars and speculators, all in search of their own tomorrow. Where once much of the neighborhood stood as an example of urban decay, it is now an example of “urban-chic”. The hipsters and the yuppies (can we still use “yuppie” in the 21st Century?) abound. If you look carefully enough, you’ll be just as likely to see young moms carefully cradling their infants as college kids carefully cradling their vintage 1980 Canon A-1s (you know, the one from the Winter Olympic Games?). Of course, this is all you’ll see as long as you stay on the main drags.

Venture just a little bit east or west of Miami Avenue or Second Avenue and you’ll encounter another Wynwood, one where the locals still live. La Boricua Restaurant, La Perla Bar, Guanabacoa Market and many single family houses, duplexes and courtyard apartments reveal a Wynwood that is very urban but not at all “chic”. Not much has changed, here. The locals live and love much as they have for fifty years, each in search of their slice of America, each hoping for their own better tomorrow for themselves and their children.

So, what to make of Wynwood? Well, that leads us to the paradox. For all its recent strides, Wynwood still is an example of urban decay. Many structures are boarded up; many that aren’t are in very poor states of repair nonetheless. Fix it, clean it up, paint it, . . . gentrify it? Still, if we turn the urban decay into urban chic what will happen to the locals? What will happen to their Tomorrowland?

Ralph Ventura is a lawyer, photographer and blogger living in Miami. The entire gallery of 28 images is available for viewing and purchase here. You can also follow Ralph at his blog.
Photos and text copyright Ralph Ventura, 2011.

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