David Castillo Gallery closing reception Five Solo Shows & Troglodytes see better in the dark 1/10/09

David Castillo Presents
David Castillo Gallery: Five Solo Shows
David Castillo Annex: Troglodytes see better in the dark

http://www.davidcastillogallery.com/
Five Solo Shows
David Castillo Gallery
2234 NW 2nd Avenue, Miami
January 10 – February 7, 2009
Closing Reception January 10, 7-10 pm

In the main gallery, David Castillo Gallery exhibits new work by gallery artists Aramis Gutierrez, Glexis Novoa, Leyden Rodriguez-Casanova, Frances Trombly, and Wendy Wischer in Five Solo Shows.

For over a decade, Wendy Wischer has camped at the intersection of solaced nature and societal technology, creating introspective works in sound, light, and sculpture. Wischer’s work, concerned with how a single set of principles can be found throughout the universe, becomes both soothing and provocative in our modern time of despair. Glexis Novoa renders cityscapes and their instruments of conflict like peering into a curio cabinet and coming face-to-horizon with societal apocalypse in miniature. His graphite drawings on marble are almost voyeuristic in their detail.

Aramis Gutierrez’s oil paintings unload personal and historic conflict on an epic scale. His storytelling equates sun blisters and love pains, labyrinthine woods and Evolutionary Psychology. Leyden Rodriguez-Casanova challenges the absoluteness of stories associated with our utilization and memory of everyday objects. Frances Trombly also retells stories of domesticity in a voice laced with feminist awareness. Trombly employs traditionally effeminate techniques to turn new scrutiny upon daily life.

Troglodytes see better in the dark
David Castillo Annex
2234 NW 2nd Avenue, Miami
January 10 – February 7, 2009
Closing Reception January 10, 7-10 pm

David Castillo Annex, immediately adjacent to the main gallery, presents its inaugural exhibition, Troglodytes see better in the dark, with works by Jesse Bercowetz, Stephan Goldrajch, Andrew Guenther, The Icelandic Love Corporation, Dan Kopp, Susan Lee-Chun, Pepe Mar, Tiffany Pollack, Michael Velliquette, and Jaimie Warren.

From the shadowy libido of Bercowetz’s organic assemblages, Mar’s comic nightmare scaffolding, and Velliquette’s paper creatures; within the deep space of Guenther’s aliens and the depths of Lee-Chun’s cultural identities; behind Warren’s theatrical make-up and Goldrajch’s canopic masks; with the dusk of Kopp’s neon apocalypse, the dawn of Pollack’s prehistoric vegetation, and the Nordic perspective of The Icelandic Love Corporation; down the fathoms of our subcultures and psyches live creaturely sensibilities with the night vision to transcend the modern conflict of our waking lives.

The works in Troglodytes see better in the dark possess the valor to see what less absurd beings cannot: humor, hope, community, and spirituality in socio-political darkness. Some troglodytes, such as Bercowetz’s unwieldy amalgamations cobbled together with cable and epoxy, come from chaos. Some, such as Mar’s sculptures inspired by electronic music and pop consumerism and Warren’s disguised self-portraits, come from cult culture. Some, such as Velliquette’s hand-cut paper dioramas and Lee- Chun’s bifurcated racial personas, come from the rituals of otherness. Seen together, one develops the impression that these troglodytes are social creatures, and their artists’ emphasis on crafts and craftsmanship create a valuable nostalgia for epochs when humans lived communally with nature and one another. Regardless from under which underbelly these troglodytes crawl, all are beacons of The Icelandic Love Corporation’s belief that, even in the face of nihilism, inhibitions, and the technological prowess of post-postmodernism, “love redeems us all.”

David Castillo Gallery
info@davidcastillogallery.com
+1 305 573 8110 Telephone
http://www.davidcastillogallery.com
2234 NW 2nd Avenue
Miami, Florida 33127
United States

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